|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Chamber MusicJenny is an enthusiastic chamber music player working with various ensembles. She plays music for violin and harp with Frances Mason, for flute and harp with various flautists including Clare Mellor, Rachel Smith (www.rachelsmithflute.co.uk) and Gabrielle Byam-Grounds (www.englishserenata.com), for flute, viola and harp with Trio Sospiroso (www.triosospiroso.com) and the Hilser Ensemble and for miscellaneous combinations with West Forest Sinfonia (www.westforestsinfonia.org). |
| |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Frances Mason, violin,
| ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Bax |
Cavatina |
|
|
Boieldieu |
Sonata |
|
|
Corelli |
La Follia |
|
|
Damase |
Sonata |
|
|
Donizetti |
Sonata |
|
|
Gorb |
Liebeslied |
|
|
Handel |
Sonatas |
X |
|
Kreisler |
Alt-Wiener Tansweisen |
|
|
Lambert |
Speed Matters |
|
|
Lewis |
Rhapsody |
|
|
Marin |
Duo Op 8 |
|
|
Marson |
Excursions |
|
|
Mendelssohn |
Songs without words |
|
|
Naderman |
Sonata Op 47 no 1 |
|
|
Natra |
Music for Violin and Harp |
|
|
Paganini |
Six Sonatas |
|
|
Rossini |
Andante con variazione |
|
|
Saint-Saens |
Fantaisie Op 124 |
X |
|
Spohr |
Sonata Concertante Op 113 |
|
|
Spohr |
Sonata Concertante Op 114 |
|
|
Spohr |
Sonata Concertante Op 115 |
|
|
Spohr |
Fantasie Op 118 |
X |
|
Spohr |
Sonata Op 16 |
|
|
Spohr |
Sonata C minor |
|
|
Stravinsky |
Chanson Russe |
|
|
Vaughan Williams |
Studies in English Folksong |
|
|
Vaughan Williams |
The Lark Ascending |
|
|
Viotti |
Sonata |
|
|
J. Williams |
Themes from Schindler’s List |
‘Much appreciated…the audience were delighted with the concert which I myself enjoyed tremendously’ Buckingham Festival Committee
‘Frances Mason, évidemment très sollicité, fait valoir un style plein d’élégance et une sonorité bien charnue.’ Répertoire [“Frances Mason, clearly very persuasive, presents a style full of elegance and a full-bodied tone."]
‘The work could not have had a more persuasive soloist than Frances Mason whose graduation of tone colour and sensitive phrasing enhanced her reputation as an outstanding interpreter of 20C music.’ ( V Irkanda IV Sculthorpe.) Glasgow Herald.
‘Frances Mason played with wonderful intensity and beauty of tone.’ Guardian
‘Frances Mason is a violinist whose notes were as pure as silk against the orchestral texture. Most of all it was the cadenzas that revealed her talent,there was no hint of roughness nor of mere exhibitionism but a smooth flow of sound that effectively concealed the difficulties with which they abound.’ (Beethoven Concerto) Scotsman.

A : Early Nineteenth Century |
|
|
Donizetti |
Sonata |
|
Viotti |
Sonata in B flat |
|
Marin |
Duo Op 8 |
|
Parish-Alvars |
(solo harp) |
|
Mendelssohn |
Songs without words |
|
Paganini |
Sonata |
|
Spohr |
Sonata |
|
Rossini |
Andante con variazione |
B : |
|
|
Corelli |
La Follia |
|
Spohr |
Sonata |
|
Mendelssohn |
Songs without words |
|
Bax |
Cavatina |
|
Stravinsky |
Chanson Russe |
|
Saint-Saens |
Fantaisie |
|
Marson |
Excursions |
C : |
|
|
Boieldieu |
Sonata |
|
Bach |
extract from Sonatas and partitas (solo violin) |
|
Glinka |
Variations on a theme of Mozart (solo harp) |
|
Spohr |
Sonata |
|
Damase |
Sonata |
|
Vaughan Williams |
Lark Ascending |
|
Lambert |
Speed Matters |
|
J Williams |
Schindler’s List |
Trio Sospiroso
Trio Sospiroso (www.triosospiroso.com) have been working together for many years, performing all the major repertoire for flute, viola and harp. They have played at Grimsby St Hugh’s Festival, Hungerford Festival, Pangbourne College Arts Society, Didcot Festival, South Hill Park, Bracknell, Winchester Cathedral, Chichester Music on Sundays and at Marlborough Festival. The members of the trio are Clare Mellor, flute, Sue Black, viola and Jenny Broome, harp.
Repertoire for flute, viola and harp trio:
|
Alexander |
Orange & Aureolin on Blue |
|
|
Bach |
Sonatas in G minor and E flat major |
|
|
Bax |
Elegiac Trio |
|
|
Beamish |
Between Earth and Sky |
|
|
Beethoven/Maayami |
Serenade Op 25 |
|
|
RR Bennett |
Sonata after Syrinx |
|
|
Bizet |
Minuet (L’Arlésienne) |
|
|
Steve Crowther |
Shadow’s Dancing |
|
|
Nathan Currier |
A Sambuca Sonata |
|
|
Debussy |
Sonate |
|
|
Four Preludes |
||
|
Children’s Corner Suite |
||
|
Paul Lewis |
Divertimento |
|
|
Jolivet |
Petite Suite |
|
|
Elizabeth Poston |
Trio |
|
|
Rawsthorne |
Suite |
|
|
Ravel/Salzedo |
Sonatine en Trio |
|
|
David Snell |
Lyric Sonata |
|
|
Tocchi |
Arie e danze tedesche |
|
|
Edward Watson |
Aegean Dances |
X |

‘Excellent ensemble always prevailed, and there was a marked feeling for style. Close empathy with great care for detail coupled to graceful execution, resulted in an extremely satisfying account.’
‘The achievement of the players and the success of the evening can be judged by the fact that what was perhaps the most familiar piece (‘La fille aux cheveux de lin’) sounded as if it was written precisely for this combination.’ Debussy Preludes
‘…it has clearly become a favourite and they revelled in its wild and syncopated rhythms, delighting both themselves and the audience.’ Watson Aegean Dances
A : |
|
|
Bach |
Sonata for Flute |
|
Beethoven arr Maayami |
Serenade Op 25 |
|
Fauré |
Sicilienne |
|
Debussy arr Salzedo |
Childrens’ Corner Suite |
|
Watson |
Aegean Dances |
B : |
|
|
Bach |
Sonata for Flute |
|
Bax |
Elegiac Trio |
|
Poston |
Trio |
|
Debussy |
Sonate |
|
Ravel arr Salzedo |
Sonatine en Trio |
C : |
|
|
Debussy |
Syrinx |
|
RR Bennett |
Sonata after Syrinx |
|
Debussy |
Sonate |
|
Debussy |
Preludes |
|
Beamish |
Between Earth and Sea |
|
Ravel |
Sonatine en Trio |
Flute and Harp
Jenny has given flute and harp recitals at various venues including Brighton Festival Fringe and, with Rachel Smith (www.rachelsmithflute.co.uk), has recorded music by Paul Lewis and Hamilton Harty for Cameo (Summer was in August www.dimusic.co.uk)
Repertoire for flute and harp:
|
Alwyn |
Naiades |
|
|
Bach |
Sonatas in E flat and G minor |
|
|
Bax |
Sonata |
|
|
Damase |
Sonatas 1 and 2 |
|
|
Debussy |
Preludes |
|
|
Francaix |
Cinque Piccoli Duetti |
|
|
Hilse |
Suite |
|
|
Harty |
In Ireland |
X |
|
Ibert |
Entr’acte |
|
|
Lauber |
Quatre Danses Médiévales |
|
|
Paul Lewis |
Norfolk Idyll |
X |
|
Marson |
Suite |
|
|
Maxwell Davies |
Two Dances from Caroline Mathilde |
|
|
Mozart |
Andante |
|
|
Piazzolla |
Histoire du Tango |
|
|
Ravel |
Pavane pour une Infante Défunte |
|
|
Saint-Saens |
Romance Op 37 |
|
|
Watson |
La Fontaine aux Dauphins |

‘This is a very good CD. The playing is faultless’ (Summer was in August) John France
Sample Programme
|
Harty |
In Ireland |
|
Alwyn |
Naiades |
|
Caplet |
Divertissement à l’Espagnole |
|
Piazzolla |
Histoire du Tango |
Other Combinations
Jenny is a member of West Forest Sinfonia (www.westforestsinfonia.org) and has performed with them on several occasions when it is possible to explore repertoire for other combinations. With the Hilser Ensemble Jenny has played chamber music in London, Lewes and Bramber. She has also played with members of the Philharmonia and with English Serenata (www.englishserenata.com).
Repertoire for other combinations:
|
Bax |
Sonata for Viola and Harp |
|
Quintet for Harp and Strings |
|
|
Berlioz |
Trio from The Childhood of Christ |
|
Caplet |
Conte Fantastique (harp and string quartet) |
|
ETA Hoffman |
Quintet (harp and string quartet) |
|
Ibert |
Two Interludes (fl, vln, hp) |
|
Trio (vln, cello and harp) |
|
|
Lambert |
Concerto Cubico (trombone, marimba and harp) |
|
Mozart |
Adagio and Rondo for Glass Harmonica |
|
Pierné |
Voyage au pays du tendre (fl, vln, vla, cello, hp) |
|
Ravel |
Introduction and Allegro |
|
Paul Reade |
The Kitchen Garden Suite (clarinet and harp) |
|
Ropartz |
Prelude, Marine et Chansons (fl, vln, vla, cello, hp) |
|
Roussel |
Serenade (fl, vln, vla, cello, hp) |
|
Tippett |
Dreaming (viola and harp) |
|
Vaughan Williams |
Studies in English Folksong (violin, viola, cello or clarinet) |
‘The harp sparkled….ethereal was a word I heard bandied about’ (Hilser Ensemble)
‘The trio made light of a series of ever faster rhythmic complexities, finally bringing the piece to a brilliant ending’ (Concerto Cubico)
‘Next on the horizon was the harp, in the hands of Jenny Broome…driven by her immense experience and professionalism…the harp was truly orchestral’ (Concerto Cubico)